Oh man,my secret weapon,who told you?Yes it was a gift from my hammond organ days at the bottle club.I wanted to get a leslie tone for my guitar onstage but was bemoaning having to carry around my mark 125 all the time.There is just no easy way to haul a Hammond around from gig to gig but I did for a couple of years.Anyway a fellow organist who was retiring from performing gave me the little david saying "this will save you some of the trouble."It is a miniature solid state leslie that sounded so good I retired my 125.It was made by wurlitzer in 1967.Then I plugged my guitar into it and it worked even better for that.You get the complete rotary speaker sound yet at high speed it is the most amazing phase shifter you have ever heard.It just has such beautiful tones and you can't adjust it in any way but you don't need to.You just play and it does the rest somehow.It takes over the tone settings on the guitar as it shifts the phase it also shifts the tone and you never know what it is going to do but it is always good.And it is studio quiet.I used it all the time in the studio for layering subliminally,the demo track come on part 5 shows it pretty much straight up.By subliminally I mean I used it to seam all of the overdubbed guitar parts I did.Mixing them separately and then dumping down the chosen composites to one track.That is a whole other story