I got the music tracks imprted from Colorama Studios and we are set to go.The Colorama engineers were on the road for two weeks in the southeast doing a major label live show.The day they got back they processed the import before they went to bed.Why am I now recording at two different studios?I do the rhythm tracks at Colorama,they have a permanent drum kit of high quality set up and EQ,D,not all muffled like most studio kits have to be.I want to hear the shells ring out!And then I have 82 vintage guitars to choose from to play.Studio A is set up like a livingroom with a fullbar.It sits on 34 acres so if I want to come early and camp out in the woods to rehearse I can as well as catch up on some hunting and fishing.Plus my secret recording weapon a beautiful double symphonic acoustic bass set up and eq'd.I mix this with my electric bass composite tracks.The whole scene very kicked back and fun. Then it is time to take the tune into town to Abbey Road south down in Old Soho.My producer,KEN Veenstra is there along with my grand piano all set up and EQ'D.On the other side of the controlroom glass is half a million dollars worth of recording/production equipment.I prefer to invest this way than a home studio.In my penthouse i do my demos eithwer on reel to reel or on this fantastic phillips cassette recorder I have which sits on my nightstand.A lot of the things you think are electric guitar on my records were recorded on the phillips with an acoustic guitar,clipped just a bit with the microphone just stuck in the hole.It is very important to do your recorded work always with a metronome.so if you want to import something from the penthouse to the studio it fits right in.Same time sig.My reel deck is in the livingroom all direct analog into my pC.Then you convert the file and do an ftp upload to import it.Analog converts very well and easy to digital and brings along it's warmth and ambience,In LA this setup would be costing me $350.00 an hour.