To that single,that comercially successful professional single.In whatever format makes it happen.It is a rough game yet I trained for it for a long time.The beauty of it is you only have to do it one time.You kick back and have sold 12 million copies.It has got to be really good to do that.It can't be bullshit it has got to be very strong.As well as decidedly different.Original...something new.The bass line is the key,the guitar is so worn out.Very tasty small things are cool for the guitar.The way I did it with Blackstar.I could do a fantastic guitar thing but who would listen..it is not vogue right now to do that.Copied Jimmy Page licks...that has already been done.You would have to go beyond that.I don't know right now I have to lay the bass tracks with the beat and then see.The thing about a great recording you see is how simple it is.That leaves room for the silence, which is what creates the tension in a recording.In Nashville so many years ago they were so up on this.That was what all of the session work was about for a guitarist.How simply it could be played.And how hard that is to do,which led to a select few getting the majority of the session work.I will tell you straight,when you are working with a top producer that is what they want to hear on a session.The less you have to play to say it the more that they can do with it.And Nashville my friend, we are talking a guitarist that can play anything.Playing since they were a baby.Now it is very homoginezed and you hear heavy rock shit all over the records,In my day there when I brought that sound to town you could very well get your ass beat for doing that.It's all good with me though,Nashville was very kind to me bringing me good work.But I had to learn how to play country,no getting around that.Now whatever I do it goes "Twang" somewhere.And that is a good thing and a blessing.maybe that is all I will have the guitar do on the new single,just go "Twang!"I have got to cut the bass line first and then we will see,Thank you for tuning in/Ren